Recorders being hand-made instruments, the pitches of multiphonics tend to be slightly different from instrument to instrument. Composers should work on this subject directly with players. As a general indication, some examples on few fundamental notes:
Example 01 | high | low | simultaneous | tremolo |
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Example 02 | high | low | simultaneous | tremolo |
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Example 03 | high | low | simultaneous | tremolo |
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Example 04 | high | low | simultaneous | tremolo |
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Example 05 | high | low | simultaneous | tremolo |
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Example 06 | high | low | simultaneous | tremolo |
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Example 07 | high | low | simultaneous | tremolo |
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Example 08 | high | low | simultaneous | tremolo |
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Example 09 | high | low | simultaneous 1 | tremolo |
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simultaneous 2 | ||||
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Example 10 | high | low | simultaneous | tremolo |
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Example 11 | high | low | simultaneous | tremolo |
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Example 12 | high | low | simultaneous | tremolo |
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Example 13 | high | low | simultaneous | tremolo |
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Example 14 | high | low | simultaneous | tremolo |
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Example 15 | high | low | simultaneous | tremolo |
Example 16 | high | low | simultaneous | tremolo |
Example 17 | high | low | simultaneous | tremolo |
Example 18 | high | low | simultaneous | tremolo |
Example 19 | high | low | simultaneous | tremolo |